Archive for March, 2011

The Future of NYC’s Garment Center Discussed at CB5

March 24, 2011

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On March 22, 2011, over two hundred people filed into Parsons Auditorium for the Cb5 Town Hall meeting on the future of New York City’s Garment District. Increased zoning and real estate pressures coupled with dwindling demand for manufacturing in the U.S. has created a less than favorable outlook for apparel factories and the designers who rely on them to create their collections.

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On March 22, 2011, over two hundred people filed into Parsons Auditorium for the Cb5 Town Hall meeting on the future of New York City’s Garment District. Increased zoning and real estate pressures coupled with dwindling demand for manufacturing in the U.S. has created a less than favorable outlook for apparel factories and the designers who rely on them to create their collections.

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Design Trust program director Jerome Chou presented Made in Midtown’s findings, which provide a very clear picture of the history, current use and designer demand for local manufacturing. A high density of designers have set up shop in and around the garment center due to cheaper rents and closeness to manufacturing facilities.

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A panel consisting of representatives from the manufacturing sector, design sector, real estate, the NYCEDC, and Pratt Institute gathered together for an engaging and lively discussion. Eric Gural (far right), an executive managing director at Newmark Knight Frank, spoke of the harsh realities of real estate pressures on the garment industry and the allure of selling space to more lucrative clients, such as hotels and restaurants. Joe Ferrara (center), Founder and director of the Garment Center Supplier Association, spoke to the need for entrepreneurship and the also the realities of upgraded spaces where manufacturers are located.

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Participants in the audience shared passionate stories and pointed questions. One gentleman asked Madelyn Wils if the garment center is in fact a priority for them. Nanette Lepore stepped up and passionately talked about how NYC’s manufacturing center made it possible for her to start her brand and get it to where it is today. Other participants commented that action needed to happen 30 years ago if they wanted to see a bright future for the apparel manufacturing industry.

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Source4Style was there to hand out information on the SMARTER GARMENT CENTER.™ We recognize that producing locally is a critical component of the sustainable design process, so we’re taking the first steps to discover how we can create a solution for New York’s local garment industry. This is an exploratory space for us – so we’d obviously love to hear your thoughts as to how we can help designers source globally and produce more locally – and how we can help suppliers get more business.

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More information on the  SMARTER GARMENT CENTER™ will be revealed throughout the year, so stay tuned here and on the SMARTER GARMENT CENTER™ landing page and sign up for future newsletters.

Christian Siriano’s favorite material could be yours

March 22, 2011

Source4Style reveals exclusive discounts for our newsletter subscribers in preparation for our launch of the Premium Level Membership.

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Sourced straight from environmentally-certified forests in Uganda, bark cloth is a unique textile that pre-dated woven materials. Hand-pounded bark cloth has been traditionally used by the Buganda people in the southern provinces of Uganda for centuries. Designers such as Christian Siriano, who sourced this material from Source4Style for his SS11 collection, have helped keep this tradition alive.

Source4Style newsletter subscribers get a special discount on bark cloth samples – a preview for what’s to come for our Premium Level Members!

To subscribe for our Design Frontline biweekly newsletter, sign up for our mailing list to the right.

Csiriano

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Sourced straight from environmentally-certified forests in Uganda, bark cloth is a unique textile that pre-dated woven materials. Hand-pounded bark cloth has been traditionally used by the Buganda people in the southern provinces of Uganda for centuries. Designers such as Christian Siriano, who sourced this material from Source4Style for his SS11 collection, have helped keep this tradition alive.

Source4Style newsletter subscribers get a special discount on bark cloth samples – a preview for what’s to come for our Premium Level Members!

To subscribe for our Design Frontline biweekly newsletter, sign up for our mailing list to the right.

Csiriano

Uniform Project sources on Source4Style

March 9, 2011

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One of our favorite design partnerships – the Uniform Project – has invited our Co-founder, Summer Rayne Oakes to sport her own Little Black Dress (LBD) for the month of March. The dress was expertly designed by Terri and Cassandra Rosenthal of Carasan Designs using all Source4Style-sourced materials, including a black 70% silk charmeuse – 30% hemp blend, hand-woven Thai silk and 55% hemp-45% organic cotton plain weave.

Every month the Uniform Project releases a new pilot and a new Little Black Dress that will later be sold after the monthly pilot is completed.

Source4Style has been an invaluable tool in sourcing sustainable fabrics to create The Uniform Project’s diverse range of Little Black Dresses,” says Tara St. James, resident designer at UP. “Each dress requires a unique fabrication appropriate to its design.  We would not have been exposed to the wide range of textiles previously unavailable to us if not for the platform offered by Source4Style.”

100% of public donations raised at the Uniform Project will go to charity: water, an organization bringing clean and safe drinking water to people in developing nations. Payless ShoeSource has agreed to match funds dollar-for-dollar up to $10,000 on the site.

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a close-up of the silk-hemp material of March’s Little Black Dress at www.theuniformproject.com

Summer_UniformProject

One of our favorite design partnerships – the Uniform Project – has invited our Co-founder, Summer Rayne Oakes to sport her own Little Black Dress (LBD) for the month of March. The dress was expertly designed by Terri and Cassandra Rosenthal of Carasan Designs using all Source4Style-sourced materials, including a black 70% silk charmeuse – 30% hemp blend, hand-woven Thai silk and 55% hemp-45% organic cotton plain weave.

Every month the Uniform Project releases a new pilot and a new Little Black Dress that will later be sold after the monthly pilot is completed.

Source4Style has been an invaluable tool in sourcing sustainable fabrics to create The Uniform Project’s diverse range of Little Black Dresses,” says Tara St. James, resident designer at UP. “Each dress requires a unique fabrication appropriate to its design.  We would not have been exposed to the wide range of textiles previously unavailable to us if not for the platform offered by Source4Style.”

100% of public donations raised at the Uniform Project will go to charity: water, an organization bringing clean and safe drinking water to people in developing nations. Payless ShoeSource has agreed to match funds dollar-for-dollar up to $10,000 on the site.

Hemp-Silk

a close-up of the silk-hemp material of March’s Little Black Dress at www.theuniformproject.com

3.4.11 Source4Style Report

March 5, 2011

Source4Style teams up with the Uniform Project, plans to launch a Premium Level Membership, and offers the chance to get $50 in free swatches.

Source4Style and a Smarter Garment Center for NYC

March 4, 2011

Why Our Global Sourcing Marketplace is Going Local

When the idea for Source4Style was born in late 2009, we had a vision to connect the world’s leading sustainable suppliers to independent designers through a user-friendly online platform.

So why are we going local?

When we protect and restore New York’s Garment District, we’re not only doing our part to support the 300,000 workers and 12,000+ businesses that call the district home. We’re supporting locally-produced independent design.

Most independent designers get their start by sourcing their first samples and production runs locally. Local patternmakers and production units can work with small quantities. Quality assurance is, well, more assured when a designer produces locally. Many designers also don’t have the time or resources to travel and work with production units across the globe. And there is of course the significantly decreased environmental footprint that comes with producing locally.

Couple all those reasons with the fact that real estate pressures and zoning laws are causing fabric suppliers and factories to lose their leases, and we have a compelling and necessary case for doing our part to build a smarter garment center.

This past weekend, we had the privilege of sitting in on the final presentations delivered by the talented students at Pratt Institute’s “Design Futures Thriving Cultures Lab.” They presented their recommendations on the role Source4Style can play in building technologies to promote and revitalize NYC’s Garment District. Suffice it to say, we are officially inspired. Later this month, we’ll share more details on our plan and launch an exciting way for our community to engage in our efforts.

Images courtesy of Alicia Whiteman, Dante Clemons, Kevin Rorick, Megan Anderson, Rachel Starobinsky, and Sadeem AlShehail of the “Design Futures” Class

In the meantime, stay tuned and do share your ideas on how you think Source4Style can promote a smarter garment center.

When the idea for Source4Style was born in late 2009, we had a vision to connect the world’s leading sustainable suppliers to independent designers through a user-friendly online platform.

So why are we going local?

When we protect and restore New York’s Garment District, we’re not only doing our part to support the 300,000 workers and 12,000+ businesses that call the district home. We’re supporting locally-produced independent design.

Most independent designers get their start by sourcing their first samples and production runs locally. Local patternmakers and production units can work with small quantities. Quality assurance is, well, more assured when a designer produces locally. Many designers also don’t have the time or resources to travel and work with production units across the globe. And there is of course the significantly decreased environmental footprint that comes with producing locally.

Couple all those reasons with the fact that real estate pressures and zoning laws are causing fabric suppliers and factories to lose their leases, and we have a compelling and necessary case for doing our part to build a smarter garment center.

This past weekend, we had the privilege of sitting in on the final presentations delivered by the talented students at Pratt Institute’s “Design Futures Thriving Cultures Lab.” They presented their recommendations on the role Source4Style can play in building technologies to promote and revitalize NYC’s Garment District. Suffice it to say, we are officially inspired. Later this month, we’ll share more details on our plan and launch an exciting way for our community to engage in our efforts.

Images courtesy of Alicia Whiteman, Dante Clemons, Kevin Rorick, Megan Anderson, Rachel Starobinsky, and Sadeem AlShehail of the “Design Futures” Class

In the meantime, stay tuned and do share your ideas on how you think Source4Style can promote a smarter garment center.