Sourcing in Ghana

June 9, 2011

Join Source4Style at Guilded for a lively discussion on sourcing and producing in the West African country of Ghana

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Our esteemed colleague, Elizabeth Cloyd (a.k.a. EClo) came back recently from a sourcing trip in Ghana. Join her on June 14, 2011 at Guilded to hear her story on sourcing in the country and get a sneak peek at the materials that Source4Style will be showcasing.

Ghana is the ideal country for ethical sourcing and production. There is a wealth of artisinal textiles, an abundance of skilled production talent in need of work, and a legal framework that will support the export of your product. The combination of the inspiration of the culture and textiles with the impact of your venture on the economic growth of individuals is the perfect climate for your social business.

Batik, kente, adinkra, batakari, and fugu are the main indigenous Ghanaian textiles. Everyday wear consists of cotton wax printed textiles made by five main Ghanaian producers. The colors, patterns, and motifs in these textiles are visual representations of history, proverbs, moral values, and social codes.

The sourcing portion of this class will focus on efficiently and effectively sourcing fabric in a region of West Africa. We’ll discuss the dos and dont’s of working with suppliers in Ghana, including helpful tools on identifying potential suppliers, using trade organizations to your advantage, and maintaining relationships once you have left Ghana.

On the production front, we’ll discuss how to navigate legal environment, form strong partnerships abroad, and produce fluidly.  The goal is to operate as a social business; thus, being altruistic in social impact and strategic with your business goals.


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IMG_2594-Edit-2

Our esteemed colleague, Elizabeth Cloyd (a.k.a. EClo) came back recently from a sourcing trip in Ghana. Join her on June 14, 2011 at Guilded to hear her story on sourcing in the country and get a sneak peek at the materials that Source4Style will be showcasing.

Ghana is the ideal country for ethical sourcing and production. There is a wealth of artisinal textiles, an abundance of skilled production talent in need of work, and a legal framework that will support the export of your product. The combination of the inspiration of the culture and textiles with the impact of your venture on the economic growth of individuals is the perfect climate for your social business.

Batik, kente, adinkra, batakari, and fugu are the main indigenous Ghanaian textiles. Everyday wear consists of cotton wax printed textiles made by five main Ghanaian producers. The colors, patterns, and motifs in these textiles are visual representations of history, proverbs, moral values, and social codes.

The sourcing portion of this class will focus on efficiently and effectively sourcing fabric in a region of West Africa. We’ll discuss the dos and dont’s of working with suppliers in Ghana, including helpful tools on identifying potential suppliers, using trade organizations to your advantage, and maintaining relationships once you have left Ghana.

On the production front, we’ll discuss how to navigate legal environment, form strong partnerships abroad, and produce fluidly.  The goal is to operate as a social business; thus, being altruistic in social impact and strategic with your business goals.


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Peru Day 3.1: Sourcing at Peru Moda in Lima

May 17, 2011

Peru Day 3 - Part 1. Let the trip through Lima continue!

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Day 3 emerged from Peru Moda and were ready to set out onto a sourcing journey through Peru. First stop was to visit James (a.k.a. Robert Redford) at his facility to find the best organic cottons – from natural color cotton to long staple Pima – to offer the Source4Style community.

By happenstance, we met up with him the night before. From the heavy brown briefcase he lugged around all night across the lawn, through the hotel, and into the casino – we could tell that he had big plans to work with us into the wee hours of the night. We had plans only to eat. Between Benita whipping out some supremely articulate Spanish and the plans for the day all falling into place likely a neatly played game of Tetris, we managed to get a lot accomplished.

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Rich GOTS-certified organic cotton colors will be making their way onto the Source4Style platform in the coming months

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Different indigo shades of organic cotton denim

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There was no lack of organic cotton and alpaca yarns available in Peru

Continue Reading

redfordresemblance

Day 3 emerged from Peru Moda and were ready to set out onto a sourcing journey through Peru. First stop was to visit James (a.k.a. Robert Redford) at his facility to find the best organic cottons – from natural color cotton to long staple Pima – to offer the Source4Style community.

By happenstance, we met up with him the night before. From the heavy brown briefcase he lugged around all night across the lawn, through the hotel, and into the casino – we could tell that he had big plans to work with us into the wee hours of the night. We had plans only to eat. Between Benita whipping out some supremely articulate Spanish and the plans for the day all falling into place likely a neatly played game of Tetris, we managed to get a lot accomplished.

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Rich GOTS-certified organic cotton colors will be making their way onto the Source4Style platform in the coming months

IMG_3989

Different indigo shades of organic cotton denim

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There was no lack of organic cotton and alpaca yarns available in Peru

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Words to live by

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Benita working with the girls

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James running down the Source4Style list of SKUs

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That infamous caramel-colored suitcase

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That’s a lot of SKUs!

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James working in the warehouse

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Organic cotton rolls – fresh from the warehouse. Delicious!

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Different organic cotton weaves

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Some friendly passerbys

Peru Day 2: Sourcing at Peru Moda in Lima

May 9, 2011

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Lima, Peru – It may have been the first time for Source4Style at  Peru Moda, but we ended up bumping into quite a few people that we know. Our very own advisor, Marcella Echavarria introduced us to this fine woman above – Titi Guiulfo – a Peruvian designer working on all sorts of alpaca materials (see below).

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A series of handwoven alpaca materials (above). Machine-woven alpaca (below).

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(Above) Source4Style will be launching a number of alpaca yarns on our site in the coming months.

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Peru Moda had an exhibition where student weavers created swatches of woven alpaca. Stay tuned for more updates from Peru, Lima.

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Lima, Peru – It may have been the first time for Source4Style at  Peru Moda, but we ended up bumping into quite a few people that we know. Our very own advisor, Marcella Echavarria introduced us to this fine woman above – Titi Guiulfo – a Peruvian designer working on all sorts of alpaca materials (see below).

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A series of handwoven alpaca materials (above). Machine-woven alpaca (below).

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(Above) Source4Style will be launching a number of alpaca yarns on our site in the coming months.

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Peru Moda had an exhibition where student weavers created swatches of woven alpaca. Stay tuned for more updates from Peru, Lima.

TEXTILE TALK: OH SO MOSO – SERIES 1.3

April 30, 2011

Textile Talk Series 1.3 digs deeper into the marketing and labeling of bamboo-based materials.

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In this third installment of Textile Talk: Oh So Moso, we look in Bamboo, The Market: Inter- and Intra-market demands, claims and standards

Moso vs. Cotton: Commensalism or Competition?

With bamboo’s move into the marketplace, discussion among the textile industry as to whether it would cut into the cotton market has been broached. (Cotton currently provides over 50% of all of the world’s fiber needs).

Can bamboo in time surpass cotton as the world’s major fiber crop? With a growing market of textiles and a rising interest in more sustainable alternatives, BASIC, biodynamic and organically-grown products, fibers like bamboo and cotton are more likely to successfully share the market than completely replace one another.

Continue Reading

iStock_000014404059XSmall

In this third installment of Textile Talk: Oh So Moso, we look in Bamboo, The Market: Inter- and Intra-market demands, claims and standards

Moso vs. Cotton: Commensalism or Competition?

With bamboo’s move into the marketplace, discussion among the textile industry as to whether it would cut into the cotton market has been broached. (Cotton currently provides over 50% of all of the world’s fiber needs).

Can bamboo in time surpass cotton as the world’s major fiber crop? With a growing market of textiles and a rising interest in more sustainable alternatives, BASIC, biodynamic and organically-grown products, fibers like bamboo and cotton are more likely to successfully share the market than completely replace one another.

At this stage of the game, bamboo as a fiber doesn’t show any sign of eclipsing cotton. Currently bamboo (principally used in building and alternative wood-based products) supports an international trade of approximately $2.5 billion (Hunter, 2003) whereas cotton (primarily used as a fiber crop) supports an international trade of $12 billion. Additionally, cotton is grown on 76 million acres worldwide, while China, the country which hosts the largest acreage of bamboo forests, has a total of 17.8 million acres (10.4 million acres of plantations and 7.4 million acres of natural stands in mountain regions) (Zehui, 2003). Material outputs per acre of bamboo fiber vs. cotton fiber vary widely, but if average outputs per material existed, we would have even a greater number on which to compare.

Eco-friendly marketing

Bamboo rayon is not a new material. Philipp Lichtenstadt officially patented the rayon processing for bamboo in 1864 (US Patent & Trademark Office). However, it took nearly 140 years for it to make its first significant commercial appearance in the marketplace. Since its launch in 2004, bamboo-based materials have been touted as “eco-friendly.” This may have been in response to numerous retailers and manufacturers requesting environmentally-preferable materials for their collections, as a way to differentiate from the trend of organic cotton in the market.

As the American Apparel and Footwear Association (AAFA) has noted, “Environmental marketing claims [in the apparel sector] have expanded significantly over the last decade as more and more companies have woven environmental and sustainability practices and goals into their businesses and down to their bottom line (AAFA letter to FTC, Dec 10, 2010).” Manufacturers of materials have responded to this demand and will quite often market materials or certain attributes of specific materials as “environmentally-friendly.”

During the first half of 2004, the marketing of “bamboo” fiber became very popular in the apparel and home textile market. The vast majority of the material produced was bamboo rayon and later bamboo rayon-cotton blends. However, due to heavy green marketing claims and lack of awareness, most material was labeled simply as “bamboo.”



In 2006, roughly $10 million worth of bamboo textiles were sold in the U.S. and $50 million worth worldwide.


Many fashion and athletic apparel companies, particularly those that subscribed to ecologically-conscious principles, became early adopters of the material and pretty soon the market was flooded with jackets, jerseys, robes, and dresses made from the woody grass. In 2006, roughly $10 million worth of bamboo textiles were sold in the U.S. and $50 million worth worldwide (Durst, 2006). The material was popularly touted as “antimicrobial,” “natural,” and “renewable” with very little backup or description to those claims.

This lack of transparency around bamboo fiber production combined with the increased promotion of eco-friendly claims in the industry spurred controversy and in 2009 the Federal Trade Commission (FTC) began questioning both the fabric labeling and the environmental claims. In August of 2009 the FTC published a consumer alert and six months later issued warnings to 78 retailers and manufacturers of bamboo so that they could take corrective action on labeling and advertising. The letters were additionally accompanied by information that the mislabeling was a violation of the FTC Act and by not taking a course correction, each violation would cost companies $16,000 per violation.

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An example of improper labeling of bamboo-based clothing

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An example of proper labeling of bamboo-based clothing

This labeling controversy spurred FTC to revisit their “Green Guide,” which was a standard guide for use of environmental marketing claims released ten years prior.

All this being said, bamboo is not without its benefits. As a raw material, it often requires little or no pesticide application due to its fast-growing nature. It does not require replanting since it is a perennial species, and like many plants – has a natural resistance to some pests. Because of that, it is often considered superior to natural (non-synthetic) fibers like conventional cotton, which requires pesticides, chemical defoliants and quite a bit of water.

However, unlike natural vegetal fibers like organic cotton, hemp and linen, the commercially viable fiber of bamboo (bamboo rayon), which has been the topic of discussion here, is currently not directly derived from the plant. Since bamboo is a cellulosic fiber, it needs to be broken down through a rayon or viscose process (as outlined in Series 1.2) and revisited again in a future interactive series.*

Designers considering using bamboo-based materials or purchasing bamboo-based materials from Source4Style for use in their collections should note whether they are purchasing bamboo rayon or bamboo linen, and label appropriately.  Be aware of the current FTC guidelines and do not overstate environmental claims, and when possible, probe a bit deeper with suppliers to understand the socio-cultural and environmental policies in raw material production, cultivation and processing.

*This concludes our three-part series of Textile Talk on Oh So MOSO. You can read the Introduction here, Series 1.1 here and Series 1.2 here. Tune in here for more information on an interactive series/discussion on bamboo materials, marketing and market demands.


Source4Style Treks to Peru Moda

April 29, 2011

Day 1: Alpaca and Pima and Vicuna, Oh My!

Lima, Peru – Source4Style embarked on our first sourcing trip to South America today at Peru Moda – the annual gathering of the Peruvian fashion and apparel industry.

We scoured the floor for the latest sustainable materials coming out of this very rich textiles region. Here’s a quick sneak peek of what we found, and what you’ll be able to find on Source4Style in the coming months…

1. Alpaca, alpaca and… more alpaca.


We’ve long been searching for the world’s finest quality alpaca to join our local selection from Waite Hill Farms in upstate New York, and we have most definitely found it in Peru. Alpaca is a silky natural fiber that while similar to sheep’s wool is warmer, softer and more lightweight with unique thermal and hypoallergenic properties. We were even invited back for an Alpaca Fiesta in November, which looks more than intriguing…

Continue Reading

Lima, Peru – Source4Style embarked on our first sourcing trip to South America today at Peru Moda – the annual gathering of the Peruvian fashion and apparel industry.

We scoured the floor for the latest sustainable materials coming out of this very rich textiles region. Here’s a quick sneak peek of what we found, and what you’ll be able to find on Source4Style in the coming months…

1. Alpaca, alpaca and… more alpaca.


We’ve long been searching for the world’s finest quality alpaca to join our local selection from Waite Hill Farms in upstate New York, and we have most definitely found it in Peru. Alpaca is a silky natural fiber that while similar to sheep’s wool is warmer, softer and more lightweight with unique thermal and hypoallergenic properties. We were even invited back for an Alpaca Fiesta in November, which looks more than intriguing…

2. Pima – Luxury, Long Staple Cotton


Also known as ELS – or Extra Long Staple – cotton, Pima is a luxurious and durable high-quality cotton native to Peru’s age-old cotton growing tradition. It is durable, absorbent and extremely soft. The perfect t-shirt dress material is on the way.

3. Tintes Naturales


We’ll be heading to Cuzco in a few days where we look forward to getting even closer to the source, but we got a sneak peek today of Cusco Textiles which is carrying on the ancient and sustainable craft of natural-dyed yarns, threads and fabrics. My question was how is the red so rich, without any use of chemicals or synthetics? The secret – a pinch of cochineal… we’ll report more from the source in Cuzco.

In addition to Peru Moda showcasing some of the best raw materials, the fashion from the country’s emerging designers is wide-reaching and impressive. We particularly had a soft spot for designer Clio, who made us fall even more in love with the fine alpaca fibre… if that’s even possible!

Stay tuned for the latest updates from our Day 2 at Peru Moda… we’re calling it a night with some alfajores.


4.27.11 Source4Style Report

April 28, 2011

Source4Style heads to Peru, talks Premium Level Member features, and plans for a new site redesign

Why Does Sustainable Fashion Matter?

April 25, 2011

Join Source4Style for an open discussion on the opportunities and changes for designers, retailers and consumers of sustainable fashion.

Panelists

RSVP today for the April 27th Panel hosted by Hessnatur and Ecouterre on “Why Does Sustainable Fashion Matter?”

Topics include: Responsible consumerism, fashion and its environmental impact, greenwashing, improvement of lives in the garment industry, incorporate sustainable fashion into your wardrobe, and where to shop, borrow or swap.

Date: Wednesday, April 27, 2011

Time: 6:30PM-9PM

Location: Relative Space, 2 Bond Street (between Broadway and Lafayette)

RSVP: chao@evynblock.com | 212-542-5062. Space is limited.

Panelists

RSVP today for the April 27th Panel hosted by Hessnatur and Ecouterre on “Why Does Sustainable Fashion Matter?”

Topics include: Responsible consumerism, fashion and its environmental impact, greenwashing, improvement of lives in the garment industry, incorporate sustainable fashion into your wardrobe, and where to shop, borrow or swap.

Date: Wednesday, April 27, 2011

Time: 6:30PM-9PM

Location: Relative Space, 2 Bond Street (between Broadway and Lafayette)

RSVP: chao@evynblock.com | 212-542-5062. Space is limited.